يارا المرّ | مصدر عام

A composite image of Khaled Al Mahmoud inspecting a frame amid colorful wooden hives with bees and flowers in the foreground.

Collective Beekeeping in South Lebanon

By

Yara El Murr

Composite of images taken of Lebanese passports and of the Beirut International Airport.

“Like a Prison”: Lebanon’s General Security Makes Passport Renewal a Nightmare

By

Yara El Murr Christina Cavalcanti Layla Yammine

Composite of images provided by Zoukak of their performance of the Rave Empire in France.

Zoukak’s Political Theater: A Space for Collective Reflection Amid Crisis

By

Layla Yammine Yara El Murr

Delivery driver on the go on a rainy night.

Always on the Move, Yet Trapped in Precarity: On the Buried Dreams of Gig Economy Drivers

By

Christina Cavalcanti Yara El Murr

Composite of images taken at a hospital in Lebanon and of protests organized by Lebanese University students. Photos taken on October 19, 2021 and October 25, 2011, by Marwan Tahtah. (The Public Source)

Students or Workers? Lebanese University Medical Students on the Frontline of a Crumbling Healthcare System

By

Yara El Murr Layla Yammine

Healthcare workers take a break outside Rafik Hariri University Hospital. Beirut, Lebanon. April 17, 2020. (Marwan Tahtah/The Public Source)

Costly and Unsustainable: Where Lebanon’s COVID-19 Vaccination Campaign Went Wrong

By

Yara El Murr

With new appliances now unaffordable, repair shops for washing machines, stove tops, and fridges have become a common sight in the neighborhood. Nabaa, Lebanon. June 26, 2021. (Mohamad Cheblak/The Public Source)

Nabaa’s Changing Face: Repurposing and Refurbishing in Times of Crisis

By

Yara El Murr Mohamad Cheblak

تقع تعاونية الدكانة في منطقة البسطة التحتا. ١٦ نيسان، ٢٠٢١. (ريتا قبلان، مصدر عام)

تعاونية "الدّكّانة" الصغيرة: عن إمكانية تفعيل التضامن

بقلم

يارا المرّ

صورة مركّبة تُظهر متسوّقة تحمل أكياسًا بينما في الخلفية شارع مهجور في عتم الليل. بيروت، لبنان. ٢٠٢١ (مصدر عام)

"نحن لم نحاول حتّى": عن فوضى التعامل مع كوڤيد-١٩ التي قتلت الآلاف

بقلم

يارا المرّ

An illustration of blankets and cloth hanging from balconies with ABAAD’s hotline for domestic abuse written on them, in solidarity with women imprisoned in their homes during lockdown. Source: Noora’s Story in “Where to, Marie?” p. 33. Artist: Joan Baz.

From the Archival to the Fictional: How “Where to, Marie?” Revives Local Feminist History

By

Yara El Murr Christina Cavalcanti