Basyma Saad | The Public Source

Tattered papers lie on rocky ground with a collapsed building in the background,

Between Duty and Pain: When Only the Archive Remains

By

Abbas Fakih

Graffiti in Arabic covers a white and yellow exterior wall beneath a barred window with exposed wires hanging across the scene.

To Stand Before the “Lions” of Nabi Chit

By

Abdul Kader al-Bay

At the center of the image, a man stands atop a pile of rubble. To the right, in the foreground, is a sign that reads: "Dead end."

From Rubble to Return: Reimagining Reconstruction Beyond Concrete

By

Public Works Studio

Two soldiers are running toward a house along a road lined with bushes and trees on both sides.

The Enemy Made My Home His Headline, and I Watched Him Roam Every Corner

By

Riyasa Ismail