Local Journalism in the Public Interest
A protester wears a mask depicting central bank governor Riad Salameh while getting a “haircut” in front of the Central Bank. November 27, 2019. (Rita Kabalan/The Public Source)
Through a Glass, Darkly: How Lebanon’s Central Bank Wants You to See the Financial Collapse
Nabaa’s Changing Face: Repurposing and Refurbishing in Times of Crisis
Photo by Marwan Tahtah
The Day That Never Ended: One Year Into August 4
Composite of images taken at a protest organized by the Beirut Port Explosion Victims' Families and the Lebanese Union for People with Physical Disabilities to demand justice for people killed and injured by the blast. Sylvana Lakkis, president of the union, is the center of the image. Photos taken on July 4, 2021, by Hussein Baydoun. (The Public Source)
"And What Would You Like Me to Do About It?”: How the Lebanese Government Disabled Hundreds of People — and Then Left Them to Pay for Its Crime
Sudanese and other African refugees protest at UNHCR headquarters in Lebanon. Jnah, Beirut. December 2019. (Photo courtesy of the Anti-Racism Movement).
Slipping Through Cracks: The “Forgotten Refugees” in Lebanon
Composite of an elderly resident of Mar Mikhael standing on her balcony, construction workers, and a sign that reads, "We are Staying." Beirut, Lebanon. Photos taken between August and October 2020 by Marwan Tahtah. (The Public Source)
What Does Justice Look Like for the Affected Neighborhoods and Their Residents?
Anonymized missing person flyer that circulated online in the aftermath of the explosion. The man was found alive and well. August 2020. (The Public Source)
Life and Death on the Margins: On the Double Trauma of Migrant Workers
The Dikkenneh Co-op, Basta al-Tahta. Beirut, Lebanon. April 16, 2021. (Rita Kabalan/The Public Source)
"We All Benefit:" On the Little Dikkeneh Co-op That Could
Members of the Palestinian Youth Movement paint a mural in San Francisco asserting their right of return ahead of Nakba Day. It reads "We Will Return" in English and Arabic. California, USA. May 17, 2021. (Source: Chris Gazaleh)
“Never Give Up”: On the Inevitability of a Free Palestine
Image overlay of a shopper carrying grocery bags over a deserted city street at night. Beirut, Lebanon. 2021. (The Public Source)
“We Didn’t Even Try”: How Lebanon's Chaotic COVID-19 Strategy Let Thousands Die
Al-Khiam Prison, turned into a memorial by Hezbollah, was bombed by Israel during its 2006 war on Lebanon. Khiam, Nabatieh. 2006. (Marwan Tahtah/The Public Source)
Committed to Liberation: Remembering Soha Bechara’s Clandestine Mission
“Lebanon First:” On the Politics of Neutrality on a Moving Train
Kuffiyeh-clad women wave the Palestinian flag, raise their fists, and chant during a march from the Mar Elias refugee camp to downtown Beirut. Riad el-Solh Square, Lebanon. May 18, 2021 (Marwan Tahtah/The Public Source)
From the Refugee Camps to the Border: Rallies Held in Solidarity with Palestinians
Stencil on a wall by artist collective Bel Mersad. It reads, "Hasten to the dreams of workers. For a foreseeable future, happy life, job security, freedom of choice." Beirut, Lebanon. May 1, 2020. (Bel Mersad)
On Today's Alternative Organizing to Reclaim and Politicize the Labor Struggle
Two children cross into the playground near the Mar Elias camp through an opening in the iron fence. There are no public spaces in the camp, and even the playground, which used to be an outlet for the residents, has become distant since its enclosure with a fence. Mar Elias camp, Beirut. April 11, 2021. (Mohamad Cheblak/The Public Source)
Palestinian Camps in Lebanon: Reflecting on Patterns of Marginalization, Isolation and Control
The electricity sector has become an embodiment of corruption in Lebanon. Électricité du Liban, Mar Mikhael, Beirut. November 10, 2019. (Hoda Kerbage/The Public Source)
Anti-Corruption: A Neoliberal Strategy to Breathe New Life into Lebanon's Spoils-Sharing System?
An illustration of blankets and cloth hanging from balconies with ABAAD’s hotline for domestic abuse written on them, in solidarity with women imprisoned in their homes during lockdown. Source: Noora’s Story in “Where to, Marie?” p. 33. Artist: Joan Baz.
From the Archival to the Fictional: How "Where to, Marie?" Revives Local Feminist History
Three protesters hold a sign in Riad al-Solh Square that reads, “burn their mansions." Beirut. Lebanon. October 18, 2019. (Mohamad Cheblak/The Public Source)
Workers' Solidarity, Redistribution, and Universal Social Protections... Slogans of a Struggle Against Engineered Losses
Map of Nour Square, at approximately 9:50 p.m. on the evening of January 27, when security forces fired live ammunition at protesters, showing locations of officers, television crew, a live streamer, and where eyewitnesses believe Omar was shot.
The Killing of Omar Tayba: A Visual Investigation of a Protester’s Death in Tripoli
Young women in factory uniforms hold a banner that reads, “our identity is to die for our bread.” Date unknown. Source: Al-Anwar newspaper.
The Power of Withholding Labor: The General Strike as Cultural Work
A migrant worker picks okra from the planters along the Burjawi staircase in Nasra, Achrafieh. Beirut, Lebanon. 2018. (Dana Mazraani/Beirut Urban Lab)
Why Socio-Spatial Practices Matter to Urban Recovery
A volunteer health worker disinfects a building in Ras Beirut. Beirut, Lebanon. March 20, 2020. (Hussein Baydoun/The Public Source)
Too Little Too Late: A Timeline of Lebanon’s Response to COVID-19
Brutal Interruption: Life in the Aftermath of Disaster
The neighborhood of Mar Mikhael two weeks after the Beirut Port blast. Beirut, Lebanon. August 17, 2020. (The Public Source)
Beirut’s Blasted Neighborhoods: Between Recovery Efforts and Real Estate Interests
An old building stands before the ruins, aid and construction workers nearby. Karantina, Beirut. September 23, 2020. (Rita Kabalan/The Public Source)
Post-Disaster Karantina: Towards a People-Centered Heritage-Led Recovery
A rescue worker stands by the Beirut Port grain silo during a search operation. Beirut, Lebanon. August 6, 2020. (Zein Jaafar/The Public Source)