In the Interlude

imagination, praxis, in-between revolution.

A terrified family taking refuge from shelling under a metallic bridge.

Capturing the End Times: The Unseen Realities of Photojournalists in Lebanon

Fátima Fouad el-Samman

A wide shot showing a young woman dressed in black making her way through a foraging trail down a rocky path. Trees line up the top of the hill and stand tall against a cloudy blue sky.

Returning to the Land and Our Oral Plantcestral History

Yara El Murr

Christina Cavalcanti

Composite of images provided by Zoukak of their performance of the Rave Empire in France.

Zoukak’s Political Theater: A Space for Collective Reflection Amid Crisis

Layla Yammine

Yara El Murr

The Dikkenneh Co-op, Basta al-Tahta. Beirut, Lebanon. April 16, 2021. (Rita Kabalan/The Public Source)

“We All Benefit”: On the Little Dikkeneh Co-op That Could

Yara El Murr

A black and white photo of a group of people leaning against one another, asleep on the floor, in what looks like a basement.

The Same Defeats: On Half a Century of Growing up as a Child of the War

Lina Mounzer

A person walks through a warehouse filled with stacks of paper, boxes, and various materials.

Navigating the Economic Crisis Through a Solidarity Economy

Rana Sukarieh

A large brown bear rests comfortably in its shelter at a wildlife sanctuary in Aley, Lebanon.

Wild Encounters: Meet the Eco-Warriors and the Endangered Animals They Defend

Dana Hourany

A composite image of Khaled Al Mahmoud inspecting a frame amid colorful wooden hives with bees and flowers in the foreground.

Collective Beekeeping in South Lebanon

Yara El Murr

A composite image of Fodda El Youssef (left) and her mother Aziza Sattouf (right) manually sorting wheat to be sent to a mill in Saadnayel, Lebanon, against the backdrop of Seed in a Box's vegetable seedling greenhouse in Beddawi, Lebanon.

From the Ground Up: Seed Saving and Food Sovereignty in Lebanon

Christina Cavalcanti

Chris Trinh

An illustration of blankets and cloth hanging from balconies with ABAAD’s hotline for domestic abuse written on them, in solidarity with women imprisoned in their homes during lockdown. Source: Noora’s Story in “Where to, Marie?” p. 33. Artist: Joan Baz.

From the Archival to the Fictional: How “Where to, Marie?” Revives Local Feminist History

Yara El Murr

Christina Cavalcanti